Please use this identifier to cite or link to this item: http://ir-ithesis.swu.ac.th/dspace/handle/123456789/3684
Title: THE DEVELOPMENT OF LEARNING ACHIEVEMENT IN PEACOCK DANCE PRACTICAL SKILLS BASED ON DAVIES' TEACHING CONCEPT OF HIGH SCHOOL STUDENTS IN PU'ER CITY, JIANGCHENG DISTRICT
การพัฒนาผลสัมฤทธิ์ทางการเรียนด้านทักษะปฏิบัติรำนกยูงของนักเรียนมัธยมศึกษาในเขตเจียงเฉิง เมืองผู่เอ่อร์ โดยยึดแนวคิดการจัดการเรียนการสอนของเดวีส์
Authors: LI ZONGLIN
LI ZONGLIN
Sureerat Chinpong
สุรีรัตน์ จีนพงษ์
Srinakharinwirot University
Sureerat Chinpong
สุรีรัตน์ จีนพงษ์
sureeratc@swu.ac.th
sureeratc@swu.ac.th
Keywords: รำยูงหางนกยูง
แนวคิดการสอนของเดวีส์
การออกแบบหลักสูตร
การศึกษานาฏศิลป์พื้นบ้าน
กลยุทธ์การเรียนการสอน
วิจัยเชิงคุณภาพ
Peacock Dance
Davies teaching concept
curriculum design
traditional dance education
instructional strategy
qualitative research
Issue Date:  18
Publisher: Srinakharinwirot University
Abstract: This study proposes a curriculum design framework to enhance practical skills and cultural understanding of peacock dance among high school students in Jiangcheng County, Pu'er City, Yunnan Province. Grounded in Davies’ practice-based skill acquisition theory, the research employs a qualitative methodology encompassing instructional design, expert validation, and theoretical synthesis. It addresses pressing challenges in traditional dance education, such as teacher-centered instruction, inadequate assessment structures, and the marginalization of ethnic dance in formal curricula. Integrating 21st-century teaching strategies, including self-directed learning, interactive methods, heuristic guidance, and tiered instruction, the proposed curriculum incorporates indigenous movement vocabulary, cultural symbolism, and performance aesthetics. Instructional coherence and cultural appropriateness were ensured through Item-Objective Congruence (IOC) analysis and thematic focus group discussions with experts, without direct student experimentation. Findings affirm the theoretical validity and pedagogical potential of applying Davies’ five-step model: demonstration, decomposition, guided practice, feedback, and integration, in the context of folk dance education. The study offers a culturally responsive curriculum model aligned with contemporary educational standards, serving as a reference for future program development and promotes the sustainable integration of intangible cultural heritage in school arts education.
-
URI: http://ir-ithesis.swu.ac.th/dspace/handle/123456789/3684
Appears in Collections:Faculty of Fine Arts

Files in This Item:
File Description SizeFormat 
gs661160597.pdf2.29 MBAdobe PDFView/Open


Items in DSpace are protected by copyright, with all rights reserved, unless otherwise indicated.