Please use this identifier to cite or link to this item: http://ir-ithesis.swu.ac.th/dspace/handle/123456789/2925
Title: THE STUDY OF VOCAL MUSIC IN THE CONTEXT OF ANCIENT CHINESE POETRY IN SONG DYNASTY
การศึกษาการขับร้องบทเพลงจากกวีนิพนธ์จีนโบราณในสมัยราชวงศ์ซ่ง
Authors: XINGJIE XIE
XINGJIE XIE
Metee Punvaratorn
เมธี พันธุ์วราทร
Srinakharinwirot University
Metee Punvaratorn
เมธี พันธุ์วราทร
matee@swu.ac.th
matee@swu.ac.th
Keywords: Ancient poetry
Vocal technique
Ancient Chinese poetry art songs
Emotion
Singing technique
Issue Date:  24
Publisher: Srinakharinwirot University
Abstract: Ancient Chinese poetry stands as a testament to China's rich cultural heritage and offers a window into the country's history and artistic achievements. This study delves into the field of vocal studies within the context of Song lyrics, with a particular focus on the fusion of Song lyrics  and art songs. In art songs, blending traditional Chinese poetry with Western singing techniques presents a unique and captivating form of music. However, students face challenges in teaching  and performing these art songs due to their often inadequate understanding of ancient poetry  and the required vocal technique. This study aims to explore effective teaching methods to enhance the vocal  performance  and  singing  skills of the students when interpreting art songs with ancient poems. Drawing from the rich heritage of ancient Chinese poetry from the Han, Tang, Song, and Yuan dynasties, this study examines the intricate interactions between ancient poems and vocal techniques, using Song lyrics as the research background. Through detailed analyses and   practical applications, the study aims to reveal the emotional and storytelling essence underlying the lyrical beauty of these poems. The findings offer valuable insights into successful pedagogical approaches for integrating ancient poetry into vocal  training. The suggestions included integrating  historical and cultural contexts into the curriculum and emphasizing vocal interpretation and emotional expression. This study aims to enhance the appreciation of students for the performance of Chinese ancient poems and art songs. In conclusion, this research contributes to a pedagogical understanding of vocal music in the context of ancient Chinese poetry and provides practical strategies for educators and performers alike. By exploring vocal technique, emotional depth,  and cultural resonance, students can cultivate a deeper connection with China's literary and musical heritage.
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URI: http://ir-ithesis.swu.ac.th/dspace/handle/123456789/2925
Appears in Collections:Faculty of Fine Arts

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