Please use this identifier to cite or link to this item: http://ir-ithesis.swu.ac.th/dspace/handle/123456789/2919
Title: THE STUDY OF TRADITIONAL CHINESE MUSIC IN THE CONTEXT OF THE APPROPRIATION PROCESS OF POPULAR CHINESE MUSIC
การศึกษาดนตรีจีนในบริบทของกระบวนการหยิบยืมทางวัฒนธรรมของดนตรีจีนสมัยนิยม
Authors: QU SIWEN
QU SIWEN
Surasak Jamnongsarn
สุรศักดิ์ จำนงค์สาร
Srinakharinwirot University
Surasak Jamnongsarn
สุรศักดิ์ จำนงค์สาร
surasakja@swu.ac.th
surasakja@swu.ac.th
Keywords: Pop music
Ethnic culture
Contemporary Chinese pop musicians
Popular music landscape
Issue Date:  24
Publisher: Srinakharinwirot University
Abstract: This research explores the representation and reinterpretation of ethnic culture in modern Chinese pop music, with a focus on the intersection of tradition and innovation. Drawing on ethnographic research and critical analysis, the study examines how contemporary Chinese pop musicians incorporate ethnic elements and traditional cultural values into their music, while also embracing new technologies, commercial strategies, and global influence. The thesis investigates the challenges and opportunities involved in promoting ethnic diversity and cultural heritage in the highly competitive and rapidly changing Chinese pop music industry and explores the ways in which musicians negotiate the tensions between artistic expression, commercial success, and cultural authenticity. Ultimately, this study aims to contribute to a deeper understanding of the role of ethnic culture in shaping China's popular music landscape and to shed light on the complex and dynamic relationship between tradition and innovation in contemporary Chinese society.
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URI: http://ir-ithesis.swu.ac.th/dspace/handle/123456789/2919
Appears in Collections:Faculty of Fine Arts

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