THE FUSION MUSIC CREATION BASED ON THE INNER MONGOLIAN VOCAL MUSIC IDENTITY

Abstract

The objective of this research are main objectives;to study the multicultural music of Inner Mongolia autonomous region, To Study the Musical Identity of the Inner Mongolia autonomous region Vocal，To arrange vocal creation in fusion music style. Fieldwork was conducted in Hohhot (2022–2025) using ethnomusicological methods, case analysis, and artistic practice. It was discovered that Inner Mongolian music’s evolution from nomadic roots through key historical periods. Traditional instruments (e.g., Morin Khuur, Sihu) and vocal styles (Urtiin Duu, Khoomei, Bogino Duu) were identified as carriers of cultural identity adaptable to fusion. Case studies of three fusion works ("Lun Hui," "Jiu Ge," "Moni Shan") demonstrated both tradition and innovation. Building on these findings, the researcher composed "Mother of the Grassland," commemorating the "Three Thousand Orphans" historical event. This work synthesized traditional Mongolian elements (Urtiin Duu vocal techniques, Morin Khuur timbres, Mongolian/Chinese bilingual lyrics) with pop structures. It constructing identity through ecological belonging.The study concluded that Inner Mongolian vocal identity thrives in fusion through balancing cultural essence with innovative form. It provides a replicable model for sustaining intangible heritage, demonstrating how traditional music can maintain authenticity while engaging globally and addressing contemporary themes.

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