THE MUSICAL COMMON HERITAGE OF FOLK MUSIC AMONG FIVE REGIONS IN HEBEI PROVINCE

Abstract

The objective of this study is to explore the regional characteristics, cultural commonalities and differences of Hebei folk songs and to explore new inheritance proposals according to the context of the times by studying and categorizing the characteristics of folk music in Hebei and analyzing the common heritage of the five major regions of Hebei folk music. The study includes a qualitative analysis that demonstrates the similarities, differences and social roles in Hebei's traditional music culture by examining the musical characteristics of the five regions. The study found that Hebei folk songs in the five regions formed according to regional differences have their own musical characteristics in terms of history, accompanying instruments, musical combinations, musical ontology, and social roles, and that Hebei folk songs have similarities in cultural origins, cultural integration, and innovation. The formation of musical and cultural differences between different regions in Hebei folk songs is due to the open and tolerant cultural environment and deep-rooted cultural heritage of each region. Therefore, In response to the problems of a single method transmission and lack of systematic management in Hebei folk songs, research such as combining mass culture, utilizing the Internet, and disseminating Hebei folk songs into campuses in various ways can enrich the theory of folk music, carry forward the excellent traditional culture, promote regional cultural exchanges and development, and protect the common heritage of Hebei folk music.

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